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Gettin' In Over My Head (Bonus Track)

Brian Wilson

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Open iTunes to preview, buy, and download songs from Brian Wilson

  Name Artist Time Price  
1 How Could We Still Be Dancin' Brian Wilson & Elton John 4:43 $0.99 View In iTunes
2 Soul Searchin' Brian Wilson & Carl Wilson 4:08 $0.99 View In iTunes
3 You've Touched Me Brian Wilson 3:22 $0.99 View In iTunes
4 Gettin' In Over My Head Brian Wilson 4:29 $0.99 View In iTunes
5 City Blues Brian Wilson & Eric Clapton 4:22 $0.99 View In iTunes
6 Desert Drive Brian Wilson 3:35 $0.99 View In iTunes
7 A Friend Like You Brian Wilson & Paul McCartney 3:38 $0.99 View In iTunes
8 Make a Wish Brian Wilson 3:50 $0.99 View In iTunes
9 Rainbow Eyes Brian Wilson 4:08 $0.99 View In iTunes
10 Saturday Morning In the City Brian Wilson 2:54 $0.99 View In iTunes
11 Fairy Tale Brian Wilson 5:28 $0.99 View In iTunes
12 Don't Let Her Know She's an Angel Brian Wilson 4:17 $0.99 View In iTunes
13 The Waltz Brian Wilson 4:08 $0.99 View In iTunes
14 Don't Worry Baby (Bonus Track) Brian Wilson 3:19 Album Only View In iTunes

Album Review

Brian Wilson's spotted solo career hasn't seen many highlights. True, Beach Boys fanatics continue to follow his top-this solo tours, which began with the astonishment of merely seeing Wilson perform on-stage and crested with his live run-throughs of the Beach Boys classic Pet Sounds and the legendary Smile (which he'd disavowed on several earlier occasions). As Brian Wilson concertgoers know, although Wilson remains a bundle of nerves while performing, he has found a group of players who are sympathetic to the Brian Wilson legend and also capable of faithfully re-creating the sound of Beach Boys classics. (Credit also goes to the album's recorder and mixer, Mark Linett, who has fine-tuned every single original Beach Boys track as part of Capitol's ongoing reissue campaigns, dating back to the late '80s.) Wilson has still not found a lyrical collaborator who can stand up to him when he writes inane, sophomoric lyrics; whether it's a solo composition or one written with a talented collaborator like Andy Paley, Wilson's songs are trite and rarely delivered with any confidence or evidence of a performing personality. There are two clear highlights on this record. The first is "Soul Searchin'," a Wilson/Paley collaboration from the early '90s that featured a vocal from brother Carl Wilson. (Although Carl died in 1996, Brian built around the vocal track to complete the song.) Although Carl is singing inane lyrics, his soul and emotion rescue the song. That's exactly how Brian Wilson flourished during his salad days, and it's never been more clear that he lacks it now — "it" being not only musical collaborators, but lyrical collaborators and a lead voice that understands the archetypal emotion behind his teenage symphonies. The other highlight is the title track, a derivative yet beautiful gloss on the classic Pet Sounds style and a rare track where Brian sounds involved and not simply robotic.

Recent Customer Reviews

Hmmmm...
     
by donaldinks

Who wrote this review for ITunes? A "deaf, dumb, and blind kid"?
ITunes needs some music reviewers with at least SOME knowledge of what music is...
...and is NOT.

Unduly criticized, WAAAY underappreciated
     
by primesounds

Think of this as one side of a five-star album, along with some "decent" to "very good" bonus tracks. Standout tracks in my opinion, all excellent and stand easily next to his best work solo or with the Beach Boys: 1, 3, 4, 6, 7, 8, 10.

Fantastic arrangements. For example: check out the last 45 seconds of "You've Touched Me" for some of his best arrangements since "I Get Around": ska-like horns, Brian simultaneously doing double-tracked leads, doo wop falsetto, and bass background vocals, and a fantastic fiddle adding perfect accents -- AWESOME; Or, Saturday Morning In The City -- Pet Sounds without the melancholy -- like waking up on a perfect summer morning with nothing to do but go out and enjoy life; or A Friend Like You, an homage to McCartney and their mutual friendship, featuring McCartney himself -- lots of references to the instrumental and arrangement styles that they inspired in each other in their earlier works -- plus, a sense of great mutual appreciation and joy in craft. Great stuff.

If you're a Brian Wilson fan but you've avoided this album due to negative reviews, you owe it to yourself to get two or three of the songs listed above and listen for yourself. This, Green Day's "American Idiot", and Graham Coxon's "Happiness in Magazines" were my co-favorite albums of 2004.

In over his head, indeed
     
by tripsz

Brian Wilson solo artist can never even hold a candle to his own output as a Beach Boy. And that's a good thing. But for these 60's artists to keep fooling themselves that we the public think this material is worthy of even a penny, is completely delusional. Why can't Wilson et al produce unrecognized or struggling artists instead if the drive to be in the studio is so great? It's obvious the spark is gone, the light has gone out and the dream is over. Simply collaborating with other 60's-70's icons isn't going to cut the mustard either. I find it time for the generation who hoped they'd die before they got old to retire and let a new generation take the lead. Nobody is buying this stuff, so why perpetuate such self-aggrandizement? It's pure and utter ego stroking and completely disrespects their own legacies.

Biography

Born: June 20, 1942 in Hawthorne, CA

Genre: Rock

Years Active: '60s, '70s, '80s, '90s, '00s

Brian Wilson is arguably the greatest American composer of popular music in the rock era. Born and raised in Hawthorne, CA, Wilson formed the Beach Boys — with his two younger brothers, cousin Mike Love, and school friend Alan Jardine — and they became the most successful American rock band...
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